Table Of Content
- Expand music menu
- Reynolds, McElhenney Bring Wrexham Playbook to Club Necaxa
- How many event spaces or rooms does your venue offer?
- Taylor Swift Charts 32 Songs on Hot 100, Including Every Track From ‘The Tortured Poets Department’
- Only the Lonely
- Colony House: Nashville rock band's new album is a love letter to Tennessee (and Opryland)
In the film, Neil Young's departure from the band Buffalo Springfield marks the end of the Laurel Canyon scene. Neil Young is not interviewed in the film, but his guitar can be heard throughout it. As the credits on the film roll, recent footage of Young alone in a recording studio seems to symbolize how many Laurel Canyon musicians broke away to make music on their own. Until this period "bubblegum-pop" — a musical subgenre that emerged in the 60s and was targeted at teens — was the primary pop sound. But with the Laurel Canyon scene came a more sophisticated message, with socio-critical voices coming into prominence. Bands set lyrics by folk icons like Pete Seeger or Bob Dylan to music in new ways.
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Leave What’s Lost Behind was released in January of 2020; the band managed to play half of their 40 city headline tour before being forced to pause alongside the rest of the world. Like many touring artists, they found different ways to continue to create, producing and directing a full-length feature film, Everybody’s Looking For Some Light, which was an official selection at the Nashville and Knoxville Film Festivals. The movie debuted at a two-day drive-in event produced by the band at Greystone Quarry in Franklin, TN. Over 2,000 people (in over 600 cars) showed up to watch the film and see Colony House perform.
Reynolds, McElhenney Bring Wrexham Playbook to Club Necaxa
The nostalgia was overwhelming and forced the band to assess their past, present and future. But as they each spent more time refamiliarizing themselves with the Nashville and Franklin roads, they knew exactly what they wanted their next album to look and sound like. Transitioning from opening band to headliners is a pretty great indication that Colony House is on its way up with its latest album and beyond.
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The Ryman, of course, is another Nashville landmark filled with memories for Chapman, who sings of “chasing our dreams down the interstate” on the new album. He remembers going to shows often with his dad, and using funny names for their orders at San Antonio Taco Co. before the show. I’m like, ‘Man, if it’s a shadow, then it’s a nice shadow to be in because I just respect him so much,” Chapman says of their dad.
An Oral History of Laurel Canyon, the 60s and 70s Music Mecca
One of the biggest lessons the band is still learning is who they want to be. Returning to their hometowns allowed them to reconnect with their younger selves in an empowering way. Over the years, Chapman shared, he found himself saying yes to things he hadn’t dreamed of, for better or worse. And while he’s happy with where he ended up, he’s entering a new season with a new perspective. As we were working on these songs, we all had smiles on our faces and tears in our eyes,” Chapman said.
Even the Beatles, who were the world's top band, were enthralled by the sounds coming out of sunny California. In the cultural consciousness, music from this forested neighborhood became as synonymous with flower power as the peace sign or the Woodstock music festival. The writing in particular brought out a wide range of emotions for the band. For Chapman, it was the first time he’d sat down to fully process a lot of changes he’d faced over the last decade. Growing up in their 20s, falling in and out of love, getting married, setting goals and watching their dreams come true alongside their best friends — it was an emotional season for the band.
Only the Lonely
“But there was a certain point where we felt like we had to stop defining ourselves as a Christian act. That doesn’t mean that Cannonballers is a “faith album,” however, and Chapman makes that clear. Rather, their beliefs simply impact all parts of their lives, which extends to their music. Writing Cannonballers allowed the band to explore those fears, questions and thoughts that have infiltrated their lives, without figuring out the answer in the end.
Colony House: Nashville rock band's new album is a love letter to Tennessee (and Opryland)
Throughout the film he meets the artists responsible for Californian folk rock, some of whom still partly reside in the famous canyon. During their heyday, they influenced one another, creating a musical sound for which the area became known. Roger McGuinn of The Byrds, David Crosby, Stephen Stills, Graham Nash and Neil Young, Brian Wilson of the Beach Boys and Carole King are among the musicians who once lived there and left their mark on this feel-good sound. Colony House is an indie-rock band made up of brothers Caleb (vocals) and Will Chapman (drums) along with friends Scott Mills (guitar) and Parke Cottrell (keys, bass).
And although this next chapter can be nerve-wracking, Caleb feels that the future looks bright for his band. With When I Was Younger, Caleb had previously said that the songs involved questions he’d been “wrestling for months and years.” Some of those questions carried over into the second LP. The band has performed their songs for worldwide audiences with two appearances on both Late Night with Seth Meyers and CONAN, as well as The Today Show, VH1’s Morning Buzz, and MTV Live. They have also been part of several festival lineups including Shaky Knees, Austin City Limits, Firefly, WonderBus, and Lollapalooza.
The Loft overlooks The Great Room through a glass wall and provides a divided area for up to 150 guests to gather. The Patio offers an outdoor space for up to 100 guests and features a living wall for intimate ceremonies and countless Instagram selfies. With the Vietnam War, and Richard Nixon in the White House, it was a time of protest. Several developments led to the success of the Laurel Canyon scene around the time.
Starting a band was something Caleb and Will had always wanted to do as they grew up in the music scene, being the sons of contemporary Christian musician Steven Curtis Chapman. The band was originally named “Caleb” before changing the name to “Colony House,” a tribute to the apartment complex in Franklin where the two brothers and Scott lived when they first formed the band. After determining that they would officially be a band, the guys chose the name Colony House, in honor of the housing complex where some of the guys lived in Franklin. Shortly after, the alt-rock band released its debut album, When I Was Younger, in 2014, spawning a successful single with the bouncy “Silhouettes,” which caught attention on alternative-rock radio and has 10 million Spotify streams to date.
"We were beginning to take rock 'n' roll seriously," David Crosby says in the documentary. From struggling with anxiety on “One of Those Days” to working through nostalgia on “Trying to Survive” to experiencing the thrill of making new memories with old friends on “Landlocked Surf Rock,” the album speaks to what it means to be human. But Chapman shared that the band didn’t want the album to just be a personal diary of sorts.
Although the city center of Los Angeles was only a short drive away, the Laurel Canyon musicians skipped the clubs of the city and instead held house parties, took mind-expanding drugs and jammed together day in and day out. The free flow of ideas meant the musicians influenced one another, sometimes "stealing" musical concepts or ideas from one another — a kind of exchange that was embraced and accepted. It can be nerve-wracking to release songs that are full of questions instead of answers.
Chapman shared that interactions with fans like her motivate the band to keep honing their sound and moving forward with their music. “After we released our first album, my dad was like, ‘I'm getting a ton of my friends commenting on how you sound like Roy Orbison,’” Chapman recalls. The band – which features Chapman’s brother, Will, on drums – formed in Franklin, Tenn. in 2009, and named themselves after the local apartment complex they first lived in after moving out of their parents’ house. It became the title track of the band’s new album “The Cannonballers,” which is filled with similarly subtle nods to the band’s Tennessee roots.
Colony House, 'Silhouettes' - NPR
Colony House, 'Silhouettes'.
Posted: Thu, 22 May 2014 07:00:00 GMT [source]
The album gained enough momentum to get the band on notable tours with artists like Needtobreathe, Ben Rector and Switchfoot, also breaking into the Billboard 200. Some say the Laurel Canyon music scene began when Frank Zappa moved to the corner of Lookout Mountain and Laurel Canyon Boulevard in the late 1960s. Former Byrds bassist Chris Hillman recalls writing “So You Want to Be a Rock ‘n’ Roll Star” in Laurel Canyon in 1966 in his house, on a steep winding street with a name he doesn’t remember. The Doors’ lead singer Jim Morrison reportedly wrote “Love Street” while living behind the Laurel Canyon Country Store. Michelle Phillips lived with John Phillips on Lookout Mountain in 1965 during the Mamas and the Papas’ heyday.
For one, guitar maker Rickenbacker developed a 12-string electric guitar that gave amplified folk exactly the sonic boost it needed. Five years ago, Andrew Slater, a filmmaker and the former head of storied label Capitol Records, organized a concert in honor of the Laurel Canyon scene with singer-songwriter Jakob Dylan (the son of Bob Dylan). This gave rise to the idea of making a documentary film, directed by Slater with Dylan conducting interviews as the protagonist. Colony House doesn’t want to limit who they could be, or even who can be a fan of the band.
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